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5.3.10

Twitter: The Criterion Collection



Every time you say "Act your age" I hear "Be sad with me"

23.2.09

Artists and criminals have a lot in common: they both break the rules

The materials employed by the artists have a desperate pathos - matchsticks, for instance, painstakingly pieced together into replicas of corner shops. Bricolage like this is an occupation for someone like Robinson Crusoe, enslaved to the dreary, erosive passage of time, glad of a numbing routine. The judge of the recycling category in the Koestler competition last year praised an inmate who collected greeting cards, punched out six thousand dots, and then assembled these into a three-dimensional picture. The enterprise, he marvelled, 'took over 100 hours'. That was the whole point of it, of course: prison consists of doing time.
http://www.guardian.co.uk/theobserver/2002/oct/06/features.review177

Good artists borrow, great artists steal. -- Picasso?

6.1.09

Outsider Art

"Those works created from solitude and from pure and authentic creative impulses - where the worries of competition, acclaim and social promotion do not interfere - are, because of these very facts, more precious than the productions of professions. After a certain familiarity with these flourishings of an exalted feverishness, lived so fully and so intensely by their authors, we cannot avoid the feeling that in relation to these works, cultural art in its entirety appears to be the game of a futile society, a fallacious parade." - Jean Dubuffet. Place à l'incivisme (Make way for Incivism). Art and Text no.27 (December 1987 - February 1988). p.36